Composer

A prolific and versatile composer, Paul has written music for radio, film and television, chamber and symphony orchestras, as well as for jazz and theater art groups. He has collaborated with poets, dancers, photographers, painters and film makers, and he has created music for the literary works of Gerard Manley Hopkins, Tennessee Williams, Pablo Neruda, Goethe, Rumi, Shakespeare, Edgar Allan Poe, Emily Dickinson, Lord Byron and Voltaire, among others.  His works have been performed by the Houston Symphony, Galveston Symphony, Houston Civic Symphony and the River Oaks Chamber Orchestra. His catalog also includes a large number of jazz and popular songs, scores for three musicals, and complete libraries for his performing groups, PICO (Paul’s Improvising Chamber Orchestra), PIVO (Paul’s Improvising Vocal Orchestra), and The Paul English Jazz Quartet.

His sacred music includes scores for several jazz masses, hymn arrangements and original settings of sacred text.

Concert Music

For Voice

“Music of the Sphere: On the Poems of Jalalu’ddin Rumi” (2014),  settings of six poems by Rumi, for soprano, flute and piano. Commissioned by The Texas Music Teachers Association.

"I Am a Memorial” (2013), dedicated to Naomi Warren and all survivors of the Holocaust, for mixed and chamber orchestra. Text by Erin Balfour. Commissioned by the Houston Grand Opera.

"Now I Lay Me Down to Sleep” (2013), for mixed choir, piano and cello. Commissioned by First Presbyterian Church, Kingwood, Texas.

“Yo Soy el Remo en la Barca de Mis Hijos” (2012), for mezzo soprano, cello and piano. Text by Hugo Diaz. Commissioned by Houston Artists Respond, an outreach program of the Houston Grand Opera.

“Oda al Cuadro” (2012), for mezzo soprano and piano. Text by Ema Ferreyra. Commissioned by Houston Artists Respond, an outreach program of the Houston Grand Opera. Score Oda al Cuadro

“I’ll Come Back as a Horse” (2009), for soprano, flute and piano. Commissioned by Trio Angelico and DIVAS World Productions.

“Musaic: Nine Miniatures for the Ancient Muses” (2007), chamber music for mezzo soprano, flute and piano. Texts by Shakespeare, Rumi, Emily Dickinson, Voltaire, Edgar Allan Poe, Lord Byron, Goethe, Charlie Chaplin and Martha Graham. Commissioned by Trio Angelico and Villa Maria of Houston.

“The Meditations” (2002), for soprano, clarinet/bass clarinet, string quartet, percussion and sequenced synthesizers. Text from The Meditations of Marcus Aurelius. Commissioned by Richard Nunemaker.

Wrestling With My God (1997), sacred suite for SATB soloists, chorus, organ and chamber orchestra. Text by Gerard Manley Hopkins. Commissioned by The Palmer Society for the Appreciation of Liturgy and Music (PSALM).

"Ad Mortem" (1990), for mezzo soprano, bass clarinet, computer-assisted synthesizers, speaker, dancer and film. Film and text by Johannes Birringer.

"Hopkins Lives" (1989), for soprano, baritone and chamber ensemble with synthesizers. Text by Gerard Manley Hopkins. Commissioned by Carl and Elizabeth Sutton and the International Hopkins Association.

"Songs of Flight" (1987) for soprano and chamber ensemble. Text by C. E. Cooper.

Instrumental Chamber

“Discovering Sønderho”, (2013) for wind quintet. Commissioned by WindSync Wind Quintet.

“Good-bye” (2008) arrangement of the Benny Goodman favorite for clarinet and string quartet Commissioned by Richard Nunemaker.

“Able to Bark” (2006), suite for clarinet, violin and piano. Commissioned by Richard Nunemaker.

“Paradise Lost" (2003), sonata for violin and piano.

“Unconditional Surrender” (1997). For various instrumentations.

“Her Name Shall Remain Unspoken” (1997), for French horn and piano. Commissioned by William VerMeulen

"English Suite” (1994), for French horn and piano. Commissioned by William VerMeulen

“…and a thousand years is like a day” (1993), for oboe, cello, guitar, piano and percussion

“The Saxophone” (1991), for alto saxophone and narrator. Text by William Bolitho Ryall. Commissioned by Richard Nunemaker

"Images de Sons et Luminaire" (1989), improvisational piece for chamber ensemble and painter. Visual art by Frank Larkey

“Canon in D Minor: Homage to the Master” (1986), canon for instruments or voices

“Deliberation of the Innocent Man” (1976), duet for various instruments.

For Orchestra

Lumière Lunaire (refletée): Fantasy for Orchestra (2012). Commissioned by the River Oaks Chamber Orchestra in celebration of the centennial of the epic work by Arnold Schoenberg, Pierrot Lunaire. Text by JoAnn Falletta. World premiere, February 18, 2012, by the River Oaks Chamber Orchestra, Church of St. John the Divine, Houston. Lumière Lunaire

Approaching Iapetus (1987), concerto for tenor saxophone and symphony orchestra. Commissioned by the Houston Symphony Orchestra and the Houston Composers Alliance.

For Film or Mixed Media

The Man With The Perfect Swing (1994), score for a feature film. Commissioned by Hovis Films.

NEOTEXANAISSANCE (1986), concerto for chamber orchestra, improvising quartet with solo fiddle, and computer-controlled synthesizers. Commissioned by Irving Phillips, Phillips and Brown Architects, Houston.

“Electrescuela" (1986), music for a computer-generated film. For synthesizers, solo cello and mixed voices. Commissioned by Ken Branam for the Houston Independent School District

“First, A Beginning” (1983), a multi-media presentation. Commissioned by First Marketing Group, Houston.

Cameron Iron Works (1980, 81), two industrial films. Commissioned by First Marketing Group, Houston.

"Weather-or-Not" (1974), three-episode pilot for an ABC television series.

Treasure of the Deep (1973), feature film.

Mixed Genre

“Old Stories” (2008) music and orchestrations for an original musical by former Major League baseball’s Larry Dierker. Commissioned by Larry Dierker.

"Three Scenes from 'Streetcar'" (1991), for cello, piano, male and female speakers. Text by Tennessee Williams. Commissioned by Herschel Wilkenfeld and Johanna Hoffman.

Mark Lit's "Refuseniks" (1991), original score with Keith Lancaster.  ATAC Globe Award for best original score.

"Ned Bosnick’s ‘Texas Sand’: The World's First Photofilm" (1990), musical soundtrack for a photographic exhibit. For mezzo soprano, bass clarinet, solo cello, string quartet, percussion and synthesizers. Commissioned by Ned Bosnick.

Sacred Music (for SATB and various orchestrations)

Amen

Amene

Come to the Fountain

Come Ye Disconsolate

Create In Me a Clean Heart, O God

Give Peace to Every Heart

Hear Our Prayer

Joy to the World audio



Memorial Acclamation

Memorial Acclamation (Advent)

O Lamb of God (Agnus Dei)

Peace – Shalom

Peace Be Unto You

Sanctus

The Ten

Jazz & Pop Songs (with lyrics)

Andrew’s Awake: It’s a Beautiful Day

Beauty

The Day After Cyndi’s Birthday

Future Children

Girl In Green

The Last Time Good-bye Song

The Message

My Iniquities

Song for Annie

Song of Hope

Strange Race

Waitin’g By the Phone

The Wimberley Waltz

Jazz & Pop Songs (without lyrics)

Beirut ‘66

Encantado

Finnegan’s Wake Houston KPFT Song of the Day 6/7/17 at marker 21:50

The Fountainhead

Four Winters

Hidden Beauty

Journeyman

Korisong

Los Grandes Bandidos de Pollos de Cartagena

The Many Faces of Cheryl

Missing Lady

Monicadabra

More Morning Mourning

One Final Word

Penelope’s Past

Politics

Soaring

Waiting Hopeful (Esperando con Esperanza)

Music Written & Produced for Radio/TV Jingles

Astroworld

Baron & Baron, New York

Cafe Moustache, Houston

Church's Fried Chicken

Computerland-Houston
Exxon
Havoline Motor Oil

 

 

 

San Antonio Chamber of

      Commerce

Houston Chronicle

LSI Air Conditioning

Pan American Bank - San Antonio

Randall’s Food Markets

Ryland Homes

1776 Corp., San Antonio
South Main Bank- Houston

Stewart and Stevenson

Treat ‘N Go Medical Clinics

Tune 'R Up

Weiner’s Clothiers

Tribute Masses: (arrangements/orchestrations)

Jazz

I: “A Love Supreme”, John Coltrane (2002), for jazz quartet and mixed choir. Arrangements of the music of “A Love Supreme” by John Coltrane. Text by John Coltrane. Additional text by Rev. William Miller, Trinity Episcopal Church, Houston.

II: Duke Ellington I (2003), for jazz sextet and mixed choir. Arrangements of selected sacred music by Duke Ellington. Text by Rev. William Miller, Trinity Episcopal Church, Houston.

III: Duke Ellington II (2004), for jazz sextet and mixed choir. Arrangements of selected sacred music by Duke Ellington. Text by Rev. William Miller, Trinity Episcopal Church, Houston.

IV: Louis Armstrong (2005), for jazz sextet and mixed choir. Arrangements of selected sacred music originally recorded by Louis Armstrong. Text by Rev. William Miller, Trinity Episcopal Church, Houston.

V: “Mountaintop”, Martin Luther King, Jr. (2006), for jazz sextet and mixed choir. Arrangements of traditional hymns and gospel music with text from Martin Luther King’s last speech. Additional text by Rev. William Miller, Trinity Episcopal Church, Houston.

*VI: “The Gospel According to John Coltrane: Variations on ‘A Love Supreme’” (2007), Jazz Sermon for mixed choir, jazz quartet and celebrant.  Original music by Paul English, Text by John Coltrane. Premiered All Angels Episcopal Church, Lihue, Kauai, Hawaii.

VII: “A Tribute to Louis Armstrong” (2008), for jazz septet and mixed choir. Arrangements of selected sacred music originally recorded by Louis Armstrong. Text by Rev. William Miller, All Angels Episcopal Church, Lihue, Kauai, Hawaii.

VIII: “Ellington: Music of the Third Sacred Concert” (2009), for jazz septet and mixed choir. Arrangements of sacred music by Duke Ellington. Text by Rev. William Miller, All Angels Episcopal Church, Lihue, Kauai, Hawaii.

IX: “Mahalia Jackson” (2010), for jazz sextet and mixed choir. Arrangements of sacred music recorded by Mahalia Jackson. Text by Rev. William Miller, All Angels Episcopal Church, Lihue, Kauai, Hawaii.

X: Jazz Works of Johann Sebastian Bach (2011), for jazz septet, jazz choir and full chorus. Jazz arrangements of the music of J S Bach. Accompanying text by Rev. Hanna Atkins, Trinity Episcopal Church, Houston.

XI: The Great Works of Dave Brubeck (2012), for jazz septet, jazz choir and full chorus. Adaptation arrangements of selected sacred, jazz and popular music of the great Dave Brubeck. Accompanying text by Rev. Hanna Atkins, Trinity Episcopal Church, Houston.

XII: Louis Armstrong (2013), for jazz octet and mixed choir. Arrangements of selected sacred music originally recorded by Louis Armstrong. Text by Rev. Hannah Atkins, Trinity Episcopal Church, Houston.

XIII: Big Band Mass (2014): Arrangements of the music of the Big Band Era in a traditional Episcopal Mass setting, 18-piece jazz orchestra and vocalist (2014). Commissioned by Trinity Episcopal Church, Houston.

Bossa Nova

Missa Nova I: (2014) Arrangements of Brasilian bossa nova and samba in a traditional Episcopal Mass setting, for jazz nonet and choir. Commissioned by Trinity Episcopal Church, Houston.

Missa Nova II: (2015) Arrangements of Brasilian bossa nova and samba in a traditional Episcopal Mass setting, for jazz nonet and choir. Commissioned by Trinity Episcopal Church, Houston.

Country

Big Country Mass I: (2014) Arrangements of the music of Hank Williams in a traditional Episcopal Mass setting, for country music septet and choir. Commissioned by Trinity Episcopal Church, Houston.

Big Country Mass II: (2015). Arrangements of the music of Patsy Cline in a traditional Episcopal Mass setting, for country music septet and choir. Commissioned by Trinity Episcopal Church, Houston.

 

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